Warm interior smartphone mirror selfie woman

Create an approximately 2:3 vertical, authentic low-light smartphone mirror selfie. A young adult woman is seated or lightly reclining inside a warm private interior, photographing herself through a mirror with a dark carved wooden frame. The image should unmistakably feel like an everyday phone selfie rather than a professionally produced beauty portrait, retaining softness, limited low-light detail, subtle noise and imperfect domestic intimacy.  Position the subject from the left side toward the center of the frame. The phone must stay on frame right at roughly face height, partially obscuring both the face and the background. Preserve the reflected orientation exactly rather than automatically correcting left and right. Her face remains in a natural profile pointing toward frame right. Her gaze rests near the phone screen or her reflected image rather than the camera lens. Her lips are naturally closed or barely parted, and the expression is quiet, relaxed and slightly absent-minded, without a deliberate smile or pout.  Preserve a softly slender face, natural jawline, delicate side-profile nose and gently shaped lips. Use soft natural makeup influenced by romantic East Asian lifestyle and social-media portrait styling: a sheer softly diffused base that still retains genuine skin depth, naturally dark brows, extremely subtle eyeliner or lash-root definition, understated gray-brown or beige-brown eyeshadow, restrained peach or nude-apricot blush, and hydrated rose, dusty pink or nude-pink lips. Avoid aggressive contouring, an exaggerated V-line jaw or oversized eyes.  Her hair is natural black to deep black-brown, long and highly voluminous, with a center or near-center part and long face-framing bangs. Most of the hair falls heavily toward frame left. The lower lengths form loose, imperfect waves rather than polished salon curls. Allow overlapping strands, mild frizz, irregular wave ends and some loss of micro-detail in the darkest areas from smartphone noise reduction.  She wears a warm-white off-shoulder Bardot-style ruched blouse with puffed sleeves. Both shoulders and the collarbone region remain visible, with elasticized gathered sleeve openings resting on the upper arms. The neckline is low and the center of the garment contains naturally gathered, overlapping and compressed white fabric. Preserve the garment's actual coverage rather than artificially altering the body's proportions. The material is lightweight, soft and opaque, turning slightly creamy under warm light. Keep the folds irregular and physically believable instead of smoothing the blouse into a pristine formal gown.  Visible skin includes the face, neck, collarbones, shoulders, upper chest and the portion of chest visible within the neckline, upper arms, forearm, phone-holding hand and fingers, plus part of a bent knee or leg in the lower foreground. The abdomen, back and hips are not clearly shown and should not be invented.  Use a light warm-ivory to pale beige-apricot complexion. The skin should look fine, soft and gently creamy while retaining natural depth and subtle tonal variation. Its visual texture should suggest skin that would feel warm, soft and lightly supple to the touch rather than plastic or poreless.  Translate the mood into physical lighting rather than vague atmospheric light. Use mixed-temperature practical indoor illumination: a warm approximately 3000–3400K lamp or tungsten-like source comes from the front and slightly toward frame right, possibly a little below eye level, creating amber-golden diffuse reflections across the phone-holding hand, forearm, shoulders and upper chest. A weaker cooler source from frame left—such as window light, a pale wall or ambient daylight—gently lifts the shadows. Allow warm orange and more neutral gray-cool regions to coexist across the skin and white fabric. Retain real shadows beside the nose, beneath the hair and around the phone; do not add studio rim lighting.  Add a very delicate silver necklace with a small abstract loop, droplet or curved-metal pendant. Thin silver rings appear on the phone-holding fingers. The nails are moderately long and naturally pink or nude-pink, with believable finger spacing and wrist tension.  The phone is a silver or pale-gray older-generation smartphone with vertically stacked dual rear cameras, inside a clear or pale-gray case. Preserve a rectangular sticker and a slim gray phone-grip accessory on the back. Any sticker lettering should remain mirrored, blurry or unreadable instead of becoming crisp AI-generated forward-facing text.  Allow a bent knee or leg to enter the lower foreground, appearing slightly enlarged because it is closer to the mirror/camera. This foreground obstruction is important to the spontaneous seated-selfie feeling and should not be cleaned out for the sake of perfect composition.  Keep the domestic environment recognizable. Frame right contains large areas of honey-brown or amber-brown wood paneling or cabinet doors. Frame left has a cooler pale-gray or creamy wall. A dark carved wooden mirror frame intrudes naturally along the upper and upper-left edges. Behind the subject hangs a framed decorative artwork containing only soft pink, muted blue and floral-like shapes. The phone, hair and body should obscure parts of the room.  Simulate an older smartphone rear main camera photographing through a mirror, roughly resembling a 26–30mm full-frame-equivalent phone lens, with the mirror distance reducing the harshness of the wide-angle perspective. Keep the subject, phone and nearby room broadly recognizable rather than using professional shallow-focus bokeh. Include mild JPEG compression, low-light noise reduction, slightly smeared dark hair detail, minor color shifts, uneven exposure and fine digital grain. Allow a slight tilt, off-center crop and imperfect framing. Avoid HDR, aggressive sharpening and commercial skin retouching.  The final image should feel like a romantic low-light mirror selfie in a warm wood interior, with soft East Asian social-media portrait styling and subtle 2000s/2010s nostalgia—something that had quietly lived in a phone photo album for years rather than a modern studio image recreated to look nostalgic.  She had just raised the phone in the warm room. The light has already been resting across her shoulders and hand for a while; now she is still looking near the screen, and in the next moment she may lower the phone and return to whatever had been interrupted.  Negative prompt: studio portrait, direct eye contact, front-facing pose, perfect symmetry, plastic skin, heavy makeup, V-shaped face, oversized eyes, HDR, oversharpening, cinematic rim light, teal-orange grading, strong bokeh, clean white studio, missing phone, wrong mirror orientation, readable fake text, extra fingers, deformed hand, perfect hair, overexposed skin, hyper-detailed pores.