Travel photo shanshui silk poster design

Please turn each travel photo I upload into a separate high-end design poster, outputting each photo individually without multi-image collage.

The overall composition uses a 3:4 vertical layout with warm ivory natural silk as the background. The final image must simultaneously retain the clearly visible original photo and a blue-green landscape (Shanshui) re-rendering of the same scene, forming a contrast between real travel imagery and classical handscroll painting.

The upper part occupies about 40%—45%, faithfully retaining the peaks, rivers, terraced fields, villages, forests, roads, and their relative positions from the original photo. Only apply slight artistic publication color grading and extremely thin grain processing; do not redraw the original image, and do not add buildings, boats, figures, or peaks that do not exist in the photo.

The lower part occupies about 55%—60%, setting a wide and low horizontal painting area within a large area of ivory empty silk, making it look like a section captured from a blue-green landscape handscroll. Do not generate complete physical scrolls; do not show wooden poles, rolled edges, tassels, or product displays.

Re-analyze the spatial route of the photo and organize the real landscape into a "roaming view" order unfolding from left to right. Distant mountains, river surfaces, peak forests, terraced fields, shorelines, villages, or woodlands can be arranged in sequence, but they must follow the actual topography and positional relationships in the photo, without creating traditional buildings or ancient figures out of thin air.

Use fine line drawing, "cun" (brushstroke) textures, and restrained mineral pigment expression. Colors are mainly azurite, malachite green, gray-blue, ochre, and light ink, allowing a very small amount of cinnabar as visual emphasis. The pigments should be calm, delicate, and have a silk grain feel; do not use high-saturation emerald green or magnificent golden decorative effects.

Keep obvious empty silk within the painting core. Water surfaces, sky, clouds/mist, and valleys can be directly represented by uncolored areas, letting the blank space become a pause in the horizontal route. The upper and lower boundaries of the painting core should be clear, with wide silk surfaces maintained outside the painting core, avoiding stuffing the lower half into a full-bleed landscape.

Add a small amount of accurate English typography in the blank space outside the painting core: a 2—4 word title extracted from the location or landscape, a number, and a short observation sentence. Use restrained serif fonts or small caps with loose letter spacing; the text should be clearly readable and echo the horizontal rhythm of the handscroll.

The overall style refers to blue-green landscape, silk handscrolls, mineral pigments, and modern museum publication design. The image is calm, distant, clear, has a sense of horizontal roaming, while retaining the real regional identity of the travel photo.

Avoid: fake Chinese, calligraphy, seals, ancient poetry, author names, complete scroll products, wooden poles, tassels, picture frames, wall mockups, fictional temples, ancient people, cranes, extra boats, randomly added peaks, golden decorations, neon blue-green, full-bleed coloring, photo-realism in the lower half, and simple filtering.