Tang style woman morning farewell white plum

Generate a new, independent image, strictly using 941x1672 pixels, 9:16 vertical aspect ratio; no collages, grids, long images, contact sheets, or multi-frames. The reference image is only used to maintain the same character identity and visual system: the same 26-year-old clearly adult fictional Oriental female, soft oval face, slender phoenix eyes, long black hair partially draped and partially tied in a low bun, silver hairpin and small pearls, moon white and pale cyan-green complete Tang-style large-sleeve robe, cyan-green embroidered waistband, long skirt, and light gauze shawl. The new image must change the scene and action. Main Route: Ancient style Xianxia beauty image; gentle older-sister vibe; realistic Oriental cinematic still, not an illustration, not a poster layout. This is the 4th image of a continuous four-act story: The morning mist has just dissipated, she returns alone to a quiet courtyard, placing a small branch of white plum blossom on an empty stone table, like leaving a final farewell for a date that never happened. Only this one female in the frame, no other characters. She stands by the stone table in the courtyard, her body slightly turned towards the tabletop, her left hand having just released the flower branch, her right hand gathering the light gauze shawl, the action frozen at the moment after the branch has landed; shoulders and neck relaxed, center of gravity stable, head slightly lowered, gaze falling on the branch of white plum on the stone table, not looking at the camera; expression gentle, restrained, subtly disappointed, but also a bit relieved, no crying, no excessive sorrow. Maintain the same set of moon white and pale cyan-green Tang-style large-sleeve robe and the same hairstyle, silver hairpin, and small pearls; the edges of the clothing in the morning have a slight sense of dew, but the clothing is complete and dignified, opaque, and not revealing. The scene retains only three key details: an empty light gray stone table, a branch of white plum on the table, a half-open wooden window in the background, and a few moist bamboo shadows; no sea of flowers, no complex courtyard, no extra characters. Adopt a composition from the upper body to above the knees, eye-level to slightly low camera angle, the character is on the left side of the frame, the stone table and white plum are at the bottom right as the emotional focal point, there is a small area of blurred leaf shadows in the foreground, the character and stone table are in the middle ground, and the background is blurred with a shallow depth of field. The light comes from the soft cold daylight on the right in the early morning, passing through the wooden window to illuminate the side of her face, fingers, white plum, and silver hairpin, with clean and readable shadows; overall use of low-saturation moon white, pale cyan, gray-green, and very little warm beige, realistic skin, stone, petals, and clothing textures, like the quiet morning of the final frame of an Oriental movie, subtle and lingering. Generate only this one independent image, no text, watermarks, logos, or gibberish.