Split layout high end editorial poster illustration

Please turn each photo I upload into an independent high-end design poster, no multi-image stitching, each photo output individually. Overall use a 3:4 vertical composition, the top and bottom areas are strictly 1:1 in height, each occupying 50% of the screen.

The upper half retains the original photo, maintaining the subject's identity, structure, posture, real texture, natural light and shadow, and original color atmosphere, with only slight high-end color grading to give it the texture of art magazines and exhibition images. To adapt to the frame size, the environmental background can be naturally extended, but the subject must not be stretched, distorted, or changed.

The lower half performs new artistic judgment, only extracting the most recognizable subject, outline, structure, posture, and narrative relationship from the photo, reconstructed as Hand-drawn Doodle Lifestyle Illustration / Naïve Illustration / Marker Drawing. Do not retain all objects, do not copy the original scene; actively delete the vast majority of backgrounds and irrelevant information, re-direct the scene through deletion, reorganization, cropping, and scale changes, so that even if the original image has an ordinary composition, it can be transformed into a valid piece of work.

Modeling is simplified, symbolic, relaxed, and personalized, using slightly jittery, intermittent, and not completely regular hand-drawn lines, as well as natural coloring like markers, crayons, and oil pastels. Allow slight line crossing, white space, and manual errors, without pursuing realistic proportions, complete perspective, or fine depiction.

The lower half must take a huge amount of conscious whitespace as its core, with solid graphics occupying only a small proportion, and the rest of the space actively left blank. Subjects can be eccentric, edge-aligned, suspended, or partially cropped, with positions determined by posture direction and visual center of gravity. Whitespace and the subject together form positive and negative shapes, distance, pauses, and a sense of breathing; rather paint less than fill the screen.

Graphics and text must be re-typeset as a whole, rather than "a sentence on top, a character below." Establish an invisible grid, visual axis, and reading path first, then decide on text placement; text can be close to the subject's outline, follow the direction of movement, align with the head or shoulder line, fall in large negative spaces, or form staggered, interspersed, and asymmetrical echoes with the graphics. Avoid mechanical centering, top-to-bottom stacking, and fixed templates; let graphics handle emotion and text handle rhythm, with both completing the composition together.

Text has no language restriction, retaining only a very small amount of truly meaningful words or short phrases. Use light, natural handwritten fonts with slight variations in character width and pen pressure, keeping a bit of a casual writing feel, but letter spacing, line spacing, and overall placement must be controlled through editorial design. One slightly obvious short phrase can be used with tiny auxiliary text to form a hierarchy, but no menu-style titles, long copy, or full-page text.

Color adopts a soft, bright, and healing limited palette, re-modulating the most vital colors extracted from the original image to form refreshing colors such as cream yellow, peach pink, coral red, sky blue, lake cyan, tender green, and lavender purple; vivid but not glaring, soft but not dirty-grey, with warm white or extremely light composite colors as large areas of breathing space.

Overall pursuit of naive drawing, mature composition, smart text-graphic relationships, and a massive amount of whitespace, like high-end independent magazines, lifestyle editorial illustrations, or art publications, rather than children's scrapbooks. Avoid fixed structures of centered subject + centered copy, random small icons scattered around, complex backgrounds, information accumulation, filling the screen, cheap cartoonishness, and templated layout.