Modern oriental antique cultural poster prompt

[Theme]: {Fill in Oriental culture / Antique theme}
[Core Antique]: {Guqin / Lacquerware / Bronze mirror / Mortise and tenon / Porcelain / Bronzeware, etc.}
[Main Chinese Title]: {Fill in a meaningful theme title}
[Auxiliary Cultural Elements]: {Patterns / Landscapes / Structural diagrams / Rubbings / Fragments of ancient paintings, etc.}
[Main Color Palette]: {Xuan paper white + 1–2 traditional low-saturation colors}
[Accent Color]: {Cinnabar red / Mineral blue / Bronze green, etc.}
[Aspect Ratio]: {3:4 / 4:5 / 9:16}

Generate a modern cultural poster with an Oriental antique theme, combining traditional objects with contemporary editorial layout.

Take [Core Antique] as the absolute main visual, enlarged at a large scale, occupying about 40%–65% of the frame, allowing it to cut in from the edges of the frame or partially exceed the frame without needing a complete display. Establish a strong visual focus through incomplete cropping, proportional contrast, and large areas of negative space, avoiding ordinary centered display compositions.

Add a small number of [Auxiliary Cultural Elements] directly related to the [Theme] around the subject. You can use enlarged patterns, cropped ancient paintings, landscape geometry, rubbings, structural line drawings, or local details, and reorganize them through circles, semicircles, open color blocks, thin lines, and negative space to form a modern yet restrained visual hierarchy.

The main Chinese title uses large Songti, modern Chinese fonts, or fonts with a slight calligraphic feel, making the text itself part of the composition, which can overlap, interweave, or be cropped with the antique. Pair with a small amount of English Serif fonts, small cultural descriptions, object information, or structural annotations to form a three-level typography of "Large Title—Auxiliary Information—Miniature Annotations."

The overall layout adopts an asymmetric editorial style, not placing elements evenly. The background remains clean Xuan paper white or ivory white, with a slight paper fiber, ancient book printing, or printmaking grain texture, but do not make it overall yellowed, over-aged, or look dirty.

Colors are dominated by low-saturation traditional Oriental colors, keeping only one strong accent color as a visual anchor. All text in the image must be real, meaningful, and related to the theme, without using random English or meaningless placeholder characters.

The overall effect is like a modern museum exhibition visual, a cultural and art publication, or a high-end cultural and creative poster: the traditional content is clear, but the layout is modern, restrained, and has a sense of design.