Minimalist humanistic abstract poster design

Please turn each photo I upload into an independent high-end design poster, no multi-image stitching, each photo output individually. The overall composition uses a 3:4 vertical format, with the top and bottom areas strictly 1:1 in height, each occupying 50% of the screen. The upper half retains the original photo, maintaining the subject structure, real texture, natural light and shadow, and original color atmosphere, with only slight high-end photographic color grading to give it a magazine photography and art exhibition quality. To adapt to the frame, the sky, ground, or environmental background can be naturally extended, but the subject must not be stretched, distorted, or changed. The lower half extracts the most recognizable subject, outline, posture, and narrative relationship from the photo, reconstructing them into a minimalist abstract geometric visual expression. Use simple geometric shapes, flat color blocks, fine lines, structural lines, and negative space to re-summarize the subject. Do not make realistic illustrations or pile up complex details, but clear features must be retained so that the original object can be recognized at a glance. A small number of horizontal lines, outlines, spatial division lines, or abstract environmental elements can be added based on the original image's relationships, allowing the image to maintain order and a sense of breath within restraint. The composition emphasizes balance, rhythm, and humanistic temperament. With the subject in the lower half as the sole visual core, the overall layout is centered but not stiffly symmetrical, establishing a quiet and professional layout order through proportion control, positive and negative space relationships, density changes, slight layer shifts, and large areas of white space. The image should be concise, stable, and restrained, while carrying a bit of gentle spatial undulation and a shallow embossed feel, making the geometric shapes appear as if slightly imprinted or subtly raised from the paper surface, forming a delicate and subtle three-dimensional layering rather than an obvious 3D effect. The color scheme is extracted from the photo above, but not mechanically copied; instead, it is transformed into a softer color palette with more humanistic temperament. Use low-stimulation, warm, and restrained colors such as off-white, warm white, light gray, sand, dusty pink, light ochre, misty blue, and sage green as the base. Retain the most atmospheric primary and secondary colors from the original image to form a harmonious, quiet, and enduring relationship through a limited palette. The overall colors should be gentle, clear, and full of cultural and life sense, avoiding cheap high saturation, dirty gray distortion, cold high-tech feel, and common commercial color schemes. Keep the text minimal and high-end, not just place names, but concise English titles extracted from the photo's theme, identity, emotion, action, time, or metaphor, accompanied by a small number of numbers, status words, or tiny annotations. The text can be naturally arranged along the subject's outline, structural lines, edges of white space, or the image axis, composing with the graphics in a restrained high-end editorial manner to form a low-key but designed layout relationship. Overall refer to international design studios, architectural posters, art exhibition posters, and high-end brand visual systems, presenting a high-end, modern, quiet, humanistic, artistic, restrained, and gentle visual temperament. Avoid common filters, cheap vector feel, excessive 3D, cartoonish feel, e-commerce feel, and template feel.