Minimalist geometric split poster design

Please turn each photo I upload into an independent high-end design poster, no multi-image stitching, each photo output individually. The overall composition adopts a 3:4 vertical layout, with the upper and lower areas strictly 1:1 in height, each occupying 50% of the screen.

The upper part preserves the original photo, maintaining the subject structure, real texture, natural light and shadow, and original color atmosphere, with only slight high-end photographic color grading to give it the exquisite texture of high-end brand advertising, art magazines, and exhibition visuals. To fit the frame, the sky, ground, or environmental background can be naturally extended, while the subject itself remains unchanged.

The lower part extracts the most recognizable subject, outline, posture, and narrative relationship from the photo, reconstructing it into a minimalist visual poster with high-end commercial aesthetics. The core language is "real objects passing through geometric emotional windows": a narrow, restrained, low-saturation geometric color block is set in the image as a visual anchor and spatial container. The direction of the color block is not fixed and can be horizontal, vertical, or diagonal, naturally determined by the subject's center of gravity, movement direction, outline trend, and layout rhythm. The subject enters the color block in a realistic photographic sense or exquisite realistic manner, and partially crosses boundaries, breaks the frame, extends out, or passes through borders, forming a sense of natural growth, spatial penetration, and white space breathing.

The composition remains minimalist, clear, and balanced, establishing order through geometric color blocks, subject boundary-crossing relationships, and large areas of white space. The subject can be centered, eccentric, growing vertically, or stretching horizontally, but always maintains a single focus. The background is mainly white, light gray, or very light warm colors, and very slight cultural patterns, linear graphics, topographic lines, water wave lines, light and shadow outlines, or abstract symbols can be added as faint auxiliary layers.

The color scheme extracts the most recognizable and energetic color relationships from the photo above, transforming them into a high-end system of light-colored geometric windows + real subject colors + a very small amount of neutral color typography. The color of the blocks can be softened into fog blue, light cyan, off-white, light pink, warm gray, light gold, or other light tones consistent with the original image's temperament, making the whole light, clean, modern, and exquisite.

Text naturally intervenes as part of the layout structure. A short English title can be extracted from the theme, emotion, action, state, or symbolic meaning of the photo, accompanied by a small number of subtitles, locations, state words, or miniature notes. The title can be arranged horizontally, vertically, or along the relationship between the color block and the subject. Auxiliary information is arranged neatly with small font size, thin weight, and stretched letter spacing, giving it a high-end editorial feel like high-end real estate, luxury goods, aesthetic magazines, or solar term visuals.

The overall temperament emphasizes Oriental white space, modern order, natural vitality, and high-end commercial aesthetic. Whether the subject is people, animals, plants, architecture, objects, food, vehicles, or natural landscapes, it should maintain a clear, elegant, and transferable visual echo between real photography and geometric emotional windows. Please turn each photo I upload into an independent high-end design poster, no multi-image stitching, each photo output individually. The overall composition adopts a 3:4 vertical layout, with the upper and lower areas strictly 1:1 in height, each occupying 50% of the screen.

The upper part preserves the original photo, maintaining the subject structure, real texture, natural light and shadow, and original color atmosphere, with only slight high-end photographic color grading to give it the exquisite texture of high-end brand advertising, art magazines, and exhibition visuals. To fit the frame, the sky, ground, or environmental background can be naturally extended, while the subject itself remains unchanged.

The lower part extracts the most recognizable subject, outline, posture, and narrative relationship from the photo, reconstructing it into a minimalist visual poster with high-end commercial aesthetics. The core language is "real objects passing through geometric emotional windows": a narrow, restrained, low-saturation geometric color block is set in the image as a visual anchor and spatial container. The direction of the color block is not fixed and can be horizontal, vertical, or diagonal, naturally determined by the subject's center of gravity, movement direction, outline trend, and layout rhythm. The subject enters the color block in a realistic photographic sense or exquisite realistic manner, and partially crosses boundaries, breaks the frame, extends out, or passes through borders, forming a sense of natural growth, spatial penetration, and white space breathing.

The composition remains minimalist, clear, and balanced, establishing order through geometric color blocks, subject boundary-crossing relationships, and large areas of white space. The subject can be centered, eccentric, growing vertically, or stretching horizontally, but always maintains a single focus. The background is mainly white, light gray, or very light warm colors, and very slight cultural patterns, linear graphics, topographic lines, water wave lines, light and shadow outlines, or abstract symbols can be added as faint auxiliary layers.

The color scheme extracts the most recognizable and energetic color relationships from the photo above, transforming them into a high-end system of light-colored geometric windows + real subject colors + a very small amount of neutral color typography. The color of the blocks can be softened into fog blue, light cyan, off-white, light pink, warm gray, light gold, or other light tones consistent with the original image's temperament, making the whole light, clean, modern, and exquisite.

Text naturally intervenes as part of the layout structure. A short English title can be extracted from the theme, emotion, action, state, or symbolic meaning of the photo, accompanied by a small number of subtitles, locations, state words, or miniature notes. The title can be arranged horizontally, vertically, or along the relationship between the color block and the subject. Auxiliary information is arranged neatly with small font size, thin weight, and stretched letter spacing, giving it a high-end editorial feel like high-end real estate, luxury goods, aesthetic magazines, or solar term visuals.

The overall temperament emphasizes Oriental white space, modern order, natural vitality, and high-end commercial aesthetic. Whether the subject is people, animals, plants, architecture, objects, food, vehicles, or natural landscapes, it should maintain a clear, elegant, and transferable visual echo between real photography and geometric emotional windows.