High end fabric collage travel memory poster

Please turn each travel photo I upload into an independent high-end fabric collage memory poster, outputting each photo separately without stitching multiple images together. The overall composition uses a 3:4 vertical layout, and the final product must simultaneously feature clearly identifiable original photography and a fabric re-rendering of the same scene. The top part retains about 46%–52% of the original photo, faithfully maintaining the identity, quantity, and posture of subjects, architectural structures, layers of mountains and waters, horizons, roads, water surfaces, real textures, natural light and shadow, and original colors, with only slight color grading for travel magazines and art publications. Do not stretch, mirror, change the subject, or turn the photo into an illustration. The bottom part uses warm natural linen, old cotton, or faded fabrics as the base. First understand the ridges, clouds, buildings, clusters of trees, water surfaces, roads, people, animals, or vehicles that truly determine the recognizability in the photo, and then compress the complex scene into 4–8 major fabric layers. Reorganize the same scene using faded cotton, coarse linen, denim, plaid fabric, corduroy, old shirt fabric, gauze, and a very small amount of wool yarn; each piece of fabric must correspond to the real spatial relationship in the photo, without adding irrelevant decorations. The fabric layers retain real warp and weft textures, washed fading, raw edges, frayed threads, creases, patch overlays, and slight thickness. Use uneven hand-sewn lines, overlock stitches, backstitches, and a small amount of embroidery thread to emphasize subject outlines, ridges, reflections, or directions of movement. The stitches can be hesitant, loose, and inconsistent in density, but do not make it like a refined craft sample. People and animals are summarized using only small pieces of fabric and stitch marks, maintaining quantity, posture, and direction without depicting facial features. The bottom part adopts a physical structured secondary composition: the main fabric collage occupies about 58%–76% of the re-rendering area, which can be shrunk into an independent setting or formed with a strong outline using a small number of large fabric layers, do not follow the complete framing of the photo in equal proportions. Retain at least 25%–40% of continuously visible linen or old cotton empty space around the collage. Colors are extracted entirely from the original photo and softened, prioritizing the retention of the most recognizable color of the location, while the rest are unified into low to medium saturation old fabric colors. Do not fixedly apply country floral patterns or orange-blue palettes. In the bottom white space, add a 1–3 English word title, a woven-label-style number, and a line of a 5–10 English word observation sentence. The title looks like slightly uneven hand-embroidered letters, and the fields and observation sentences look like old woven labels or fine-stitch text sewn onto the base fabric, clearly readable at normal preview size. The text must come from the actual visible location, action, weather, or color in the photo; use the scene theme when the location cannot be confirmed, do not fabricate place names and dates. The overall temperament is warm, quiet, handmade, with a sense of vintage items, possessing preserved travel memories. Mandatory avoidance: paper collage, torn paper edges, pure felt painting, tufted carpets, crochet dolls, refined embroidery samples, lace buttons, journal ephemera, printed photo patches, smooth vector color blocks, plastic synthetic fabrics, children's crafts, bottom part completely covered, fixed sunset color schemes, author names, signatures, logos, QR codes, watermarks, gibberish.