Fluorescent torn paper urban culture poster

At first glance, a group of irregularly layered fluorescent hand-torn paper title blocks forms a strong visual anchor: the main title is huge, centered, and staggered in lines, with a typeface formed by thick brushes and paper-cutting, heavy strokes, rough and broken edges, exaggerated corners, varying internal white spaces, and slight local misalignments, making the text look like hand-printed graphics rather than neat typography. A circular, loose but clear reading path activity information system is established around the title, with several hand-drawn sticker badges with blue and white outlines distributed around it; each badge is connected to a theme-related small illustration, location marker, or symbol with a white label, varying in size and direction, as if casually pasted on the paper surface; the main body and labels share a striking blue outer contour and yellow fill, forming a unified brushstroke across elements. The background uses warm fibrous paper and old poster textures, with a large area of umber base color, retaining paper grains, indentations, slight color differences, and printing bleeds; organize the blank space with dark brown hand-drawn dashed lines, arcs, arrows, and a small amount of English geometric lettering, without being overbearing. The primary colors are locked to ochre brown, bright yellow, vivid blue, and off-white, using flat coating and limited overlapping colors, without using modern gradients, glass textures, or excessively smooth digital shadows. All graphics, text, stickers, and backgrounds share slightly unstable hand-drawn outlines, overprint offsets, thickness variations, and local wear, retaining imperfect production marks; the information hierarchy is clear, the central title is the heaviest, and the surrounding modules create rhythm and breathing space, and the overall piece looks like an urban cultural event poster completed by collage, hand-drawing, screen printing, and old paper.