Dark thick frame window art poster

Generate an artistic poster with a dark, thick-framed window view centered around any theme: the image is first established by a deep but not dead-black outer panel to create a quiet sense of enclosure, with a large rounded-corner inner window in the center; the theme content enters the window with a photographic or realistic collage feel, maintaining a clear direction of movement, an open background, and breathable layers of depth; the outer frame is like a darkened print sleeve, with soft shadows at the edges, slight dark green or cool-toned reflections, low-contrast grain, and a sense of scan compression, making the theme inside the window appear brighter and freer. The theme colors should not blindly follow fixed hues but be derived from the theme: use low-brightness, low-saturation cool dark colors for the large outer area as a quiet base, and use higher brightness, cleaner natural colors or theme colors inside the window to form an expansive space, with a small amount of high-saturation warm colors used only for the title, handwritten strokes, or detailed accents, maintaining an overall soft contrast like film exposure. The layout adopts small Western text or symbols arranged horizontally at the top with sparse letter spacing, a striking short title in the upper-middle part, and thin vertical lines, small side-arranged numbers, dates, or magazine-style marks on the left and right edges; all small text must be restrained and leave white space, like soft annotations on a magazine cover. The strongest visual action is placed at the bottom: a set of oversized white handwritten strokes spans the boundary between the inner window content and the dark frame, with jumping stroke thickness, flying white endings, and local boundary crossing, and a thinner bright English handwritten line can be layered below, forming a moment where the image is pressed down by an emotional signature. Two or three short sentences can also be added inside the window, arranged along movement arcs, with the small text slightly tilted, as if carried by the wind, and must not overpower the handwritten text at the bottom. Retain the slight blur of real photos, the grain of vegetation or background textures, edge vignetting, and print noise; failure states are when the outer frame becomes a common photo frame, the handwriting is too neat, the colors are too bright or clean, or the small text is evenly spread, leading to the loss of the sense of freedom.