Chinese minimalist contemporary art exhibition poster

[Theme]: {Fill in the theme of the work}
[Main Color Gamut]: {Cinnabar Orange / Indigo / Mineral Green / Mist Purple, etc.}
[Landscape]: {Wetlands / City Rooftops / Bamboo Forest / Mountain Gaps, etc.}
[Visual Dynamics]: {Migration Arc / Vertical Rain Curtain / Diagonal Wind Field / Double-sided Framing, etc.}
[Micro-narrative]: {Figures / Bird flocks / Small Boat / Suspension Bridge / Architecture, etc.}
[Chinese Title]: {Fill in}
[Chinese Colophon]: {Fill in one short sentence}
[Aspect Ratio]: 9:16

Generate a high-finish Chinese minimalist contemporary art exhibition poster, blending Eastern landscape white space, modern Editorial Design, abstract large color gamuts, paper art, and independent publication visuals.

Use clean, warm ivory white art paper as the background, and establish the main mood with a [Main Color Gamut] block occupying about 40%–55% of the frame. The color gamut should have the delicate texture of mineral pigments, gouache, screen printing, and paper penetration, with natural, irregular edges, and subtle brush marks, shading variations, and paper exposure within, while remaining clean and complete, avoiding dirtiness or random mottling.

Add a low or partially cropped ink-black [Landscape] and reorganize the composition based on the [Visual Dynamics]. Create a clear sense of direction through bird flocks, rain lines, wind paths, valleys, bridges, etc.; do not simply replicate a fixed template of "black horizontal line + bottom color block" for every image.

Include very small [Micro-narratives] within the landscape, using the scale contrast of "large color gamut × micro-landscape × small figures / small buildings" to increase the sense of space and storytelling. Details should be rich but restrained; from a distance, the color gamut and composition are seen first, and only upon closer inspection are the figures, paths, plants, buildings, and micro-narratives discovered.

The Chinese main title should use high-thin Songti or modern Ming dynasty fonts, preferably in a vertical layout, allowing the text to participate in the composition; pair it with a small amount of Serif English, dates, FIELD NOTES, observation information, [Chinese Colophon], natural handwritten notes, and a tiny cinnabar seal to form an exquisite Editorial information hierarchy.

Overall requirements: Clear large structure, rich micro-information, full yet restrained colors, minimalist but not crude, white space but not empty; each work should be redesigned with color gamut shapes, landscape structures, and visual dynamics based on the theme to form a unified series while maintaining the independence of each piece.

Avoid: Rough flat fills, cheap vector feel, template color swapping, huge black mountains, common travel illustrations, excessive ancient style, excessive white space, random cracks, dirty black spots, strong grain, AI gibberish, UI cards, logos, watermarks, frame numbering, four-pointed stars, and sparkles.