Berry cream dessert cup commercial poster

Expand a commercial still life visual with slight film softening around any theme object, placing the single most recognizable object of the theme slightly to the right of the central axis, magnified as the visual center with a close-up real-shot texture; the object rises from behind a tile countertop that cuts in from the bottom edge from low-left to high-right, with its base partially obscured by the countertop, forming a monumental posture steadily held up by the diagonal line. The tile countertop occupies only a small area of the bottom edge of the frame, with a warm glaze and restrained reflections, fine narrow light-colored grouting forming regular squares extending with diagonal perspective, establishing scale while pushing the gaze back to the focus. The upper half retains a large area of transparent white space, using high-brightness, low-to-medium saturation theme-derived cool colors as a clean background, retaining only extremely fine uniform grains, slight brightness drift, and a soft bright mist, overall bright, refreshing, with a slight softness of old-style color advertisements, without adding dirt, wear, or heavy brown filters. The theme object presents credible light transmission, reflection, delicate highlights, and internal layers according to its own materials, with clear edges but not over-sharpened; extract a group of high-saturation, small-volume attachment details from the theme imagery, gathered near the upper edge of the object, with a low-information light-colored rectangular identification surface embedded on the front, letting the rich physical texture and quiet plane form a pause. Colors are derived from the theme semantics, not locked to specific hues: large area backgrounds maintain light, bright, low saturation, medium area objects and tiles share deeper, more saturated adjacent color relationships, a small amount of striking colors concentrated in top details, main titles, and bottom short sentences, light neutral colors used for highlights and identification surfaces; keep clear warm-cold contrast, clean color layers, and a vivid but not glaring focus. Text forms a vertically dense reading along the central axis: two lines of extremely small copy suspended at the top, the first line using a compact bold all-caps narrow font with slightly widened letter spacing, the second line using a lighter, smaller italic font; below it, a very large high-contrast serif title composed of a short theme word, tall face, distinct thick and thin strokes, stable centered positioning, dark color tone echoing the striking details on the object, followed by a line of smaller serif subtitles closely following. Leave a breathing space between the title and the top of the object, text does not press onto the physical entity; the very bottom places a line of small, compact, striking-colored all-caps instructions on the tiles, forming an echo from start to finish. All copy comes from the current theme, maintaining information restraint, central axis alignment, and obvious font size jumps; the image should be like a nostalgic product advertisement shot with natural high-key light after careful arrangement, with both real materials and weak optical softening, as well as bold white space, diagonal platform advancement, and clear graphic order.

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Theme: Berry cream dessert cup poster, highlighting a light sweet product suitable for afternoon tea
Supplement: Appear 3 relevant information points, keep commercial poster usable
Aspect ratio: Vertical 3:4