Travel photo doodle art poster

Please turn each travel photo I upload into a separate high-end design poster. Output each photo individually; no multi-image stitching.

Overall adopts a 3:4 vertical composition, consisting of a clearly visible real photo and a "photo doodle travel object" redrawing of the same scene. The height of the upper and lower areas is close to 1:1, using a clear, straight, and restrained horizontal boundary; do not use blurring, feathering, gradual fusion, or image overlapping at the boundary.

## Upper Part: Real Original Photo

Faithfully preserve the identity, quantity, posture, movement direction, core objects, character relationships, street or spatial structure, observation angle, real materials, natural lighting, and original color atmosphere of the subjects in the original photo.

Only perform slight travel magazine, independent publication, or photography exhibition-level color grading, and add an extremely thin film grain. The upper part must remain a clear, real, and substantial photographic work.

Do not redraw the photo, do not move people, do not change the identity and structure of vehicles, food, shops, tables and chairs, boats, or souvenirs, and do not add cultural symbols and travel objects that do not exist in the photo.

To adapt to the frame, a small amount of sky, ground, walls, or surrounding environment can be naturally extended, but the subject must not be stretched, squeezed, mirrored, copied, or distorted.

## Lower Part: Photo Doodle Travel Objects

Extract one core travel object most worth remembering from the same photo, such as:

- Vehicles, bicycles, motorcycles, boats, or carts;
- Coffee cups, plates, food, cutlery, or tabletop combinations;
- Chairs, suitcases, road signs, umbrellas, or souvenirs;
- Shop fronts, sales windows, newsstands, or street stalls;
- Other everyday objects with clear outlines and local atmosphere.

Characters can be retained, but only as auxiliary relationships to the object's action, usage, and travel story; they must not steal the main visual center.

First understand the identity, outline, direction, color, and usage relationship of the most important object in the photo, then actively delete complex backgrounds, irrelevant passers-by, repetitive buildings, advertisements, dense signs, small decorations, and photographic noise.

Do not shrink the original photo and place it in the lower part, nor simply outline or cartoonize the entire photo.

## Re-composition

Adopt a "shrink and refine" editorial composition.

The core object occupies about 40%–65% of the width and about 30%–58% of the height of the lower part, placed in the center, slightly below, or to one side. According to the photo content, change the scale, cropping method, and spatial position of the main subject, making the lower part clearly different from the photo above.

Retain only one core object, accompanied by one to three necessary scene clues, such as:

- A short section of road, track, or tabletop;
- A door, a window, or a corner of a wall;
- A hand using the object or a shrunken figure;
- A shadow, steam, movement trajectory, or direction line.

The redrawing area must retain about 35%–55% of continuous warm white paper or light-colored open space, allowing breathing room around the subject. Do not use template-style white sidebars, and do not break the blank space into many small gaps.

## Photo Slices and Matte Color Blocks

The core object cannot completely become a regular illustration.

Retain a small amount of real texture from the original photo, which can use:

- One to three cropped photo-textured areas;
- The most recognizable real surface of the object;
- Local photographic textures of car windows, food, fabrics, metal, or wood;
- Irregular photo slices that adapt to the object's outline.

Photo slices should be naturally embedded in matte color blocks and hand-drawn lines; do not have regular photo frames, and do not assemble into a dense photo album.

The rest of the structure is re-summarized using 4–6 matte flat color blocks extracted from the photo. Retain one most recognizable bright color as the visual focus, and moderately reduce the saturation of the remaining colors.

Color block edges allow for slight manual deviations, pigment gaps, and paper show-through, avoiding smooth vector shapes and commercial digital illustration textures.

## Narrative Doodles

Add a very small amount of hand-drawn doodles related to the real scene around the core object.

Choose based on the photo content:

- Arrows indicating action or direction of travel;
- Movement trajectories of vehicles, boats, or people;
- Steam lines above food and drinks;
- Slight sound symbols, vibration lines, or waiting marks;
- Arcs connecting people and objects;
- Circles, underlines, or brief observation marks;
- One or two very simple small symbols.

Doodles must explain the object's action, usage, or travel mood, rather than being purely decorative.

Use black, dark brown, or a dark color from the photo, expressed with loose marker, crayon, oil pen, or pencil lines. Lines can have breaks, redraws, slight overruns, and uneven ink marks.

Keep the number of doodles restrained, usually using only 3–7 sets of small lines or symbols. Do not let the entire image become a children's doodle book, comic panel, or dense sticker page.

## Text

Before generation, determine and accurately render the following text based on the objects, locations, actions, or atmosphere actually visible in the photo:

1. A main title of 1–3 English words;
2. Field: "OBJECT NOTE 01";
3. One line of 5–12 English words for an observation sentence.

The title can be the object name or a brief travel feeling, such as:

- "YELLOW TRAM"
- "LATE LUNCH"
- "CORNER TABLE"
- "SMALL FERRY"
- "STREET CART"
- "RAINY RIDE"

Observation sentences only describe the colors, actions, positions, and object relationships that actually exist in the photo; do not fabricate brands, locations, dates, or stories.

Text is concentrated in continuous white space areas, forming a clear editorial caption set with the core object and doodles. The main title must be clearly readable at chat preview size, and auxiliary text cannot shrink into unrecognizable decorative gray lines.

Fonts use loose handwriting, old printed small characters, or narrow fonts with a marker texture. Text edges can have slight ink shortages, repeated descriptions, and paper friction, as if the artist wrote them on the paper along with the doodles; do not use smooth, floating digital typography.

Forbidden to copy advertisements, signs, and brand text from the original photo. Forbidden to use author names, signatures, social media accounts, logos, website URLs, QR codes, fake Chinese, garbled characters, and meaningless serial numbers.

## Overall Vibe

Like picking out the little thing you're most reluctant to forget from a travel photo, and then saving it again using photo fragments, matte colors, and a few casually drawn notes.

Relaxed, smart, observant, slightly humorous, and full of life, while maintaining the restrained layout of independent travel magazines and art publications.

Forced Avoidance: full-photo cartoon filter, same-crop same-scale redraw, complete realistic lower background, dense doodles, childish cartoon page, comic panel, generic travel stickers, copied signage, invented brand, excessive arrows, excessive symbols, multiple competing objects, glossy 3D, smooth vector shapes, digital gradients, oversaturated colors, tiny decorative source photo, missing source-photo comparison, fake text, author signature, watermark.