Torn edge ink travel memory poster

Please make each travel photo I upload into an independent torn-edge ink memory editing poster, outputting each photo separately, not stitched together. The overall format is 3:4 vertical, using a "Real Photography -> Observational Line Drawing -> Ink Silhouette" three-stage decreasing structure to express the same scene.

The top part occupies about 28%–36% of the screen height, faithfully preserving the most important scene in the original photo. Accurately maintain the identity, number, posture, orientation, spacing of subjects, architectural structures, vehicles, boats, animals, human movements, real textures, spatial directions, natural light and shadow, and iconic colors, only performing slight artistic publication color grading. The photo must be clearly discernible and cannot be transformed into illustrations or decorative thumbnails.

The top photo is connected to the paper surface below using clearly visible hand-torn rough paper edges: the edges have real paper fibers, irregular bumps, and slight thickness, and digital atomization, feathering, or soft light gradients must not be used.

The middle part is warm ivory, unbleached cotton paper, or light beige coarse paper, which is the observation page with the most white space. Redraw the same subject with unstable fountain pen lines, short cross-hatchings, dry ink, and a small amount of gray wash, accurately preserving the quantity, posture, and relative position, but actively deleting irrelevant backgrounds and tiny details. Choose a tree trunk, lighthouse, bridge cable, building edge, ship mast, mountain crack, or vehicle outline from the photo as a vertical memory anchor. The line drawing is concentrated in a narrow horizontal field, does not fill the paper surface, and is not an automatic photo outline.

The bottom part allows the scene to further dissipate into light taupe, smoky gray, blue-gray, or olive black ink blobs, uneven water marks, dry brush particles, slender broken lines, and 1–2 restrained drips. The subject shrinks into a set of small dark silhouettes, still maintaining the correct number and direction, falling on a horizontal brushstroke of an emphasis color extracted from the original photo. Use only one emphasis color, not fixed to orange.

Information density must decrease from top to bottom: the photo is the densest, the line drawing second, and the bottom silhouette the simplest. Continuous and obvious breathing space of the paper surface is reserved in the middle and around the subject; ink blobs flow in incompletely from one side or the lower edge and do not close all four sides.

Add a 1–3 English word title, a MEMORY NO. 01 style field, and a line of 5–10 English word observation sentence in the middle white space. Use readable typewriter bold, monospaced archival fonts, or capitalized lead type with ink gaps for text; auxiliary text is smaller but cannot shrink into gray lines. The text content must come from the subjects, actions, weather, or spatial relationships in the photo, not copying the author's words, and not fabricating research data.

The overall style should be like a page of a travel archive that has been torn open, observed, and gradually faded, restrained, poetic, with real paper fibers, dry ink, and a sense of time.

Mandatory avoidance: rigid vertical/horizontal divisions, ordinary half-photo half-sketch templates, digital softening transitions, irrelevant bottom illustrations, full-page watercolors, traditional ink landscape imitations, cute cartoons, detailed animal or plant field guides, automatic outlines, dense technical infographics, large titles overpowering the image, multiple emphasis colors, author names, signatures, accounts, logos, website addresses, QR codes, watermarks, garbled characters.