Photography korean editorial illustration poster

Please create an independent high-end design poster for each photo I upload, do not use multi-image collages, each photo must be output individually. The overall composition uses a 3:4 vertical aspect ratio, with the upper and lower parts strictly 1:1 in height, each part occupying 50% of the frame. The upper part retains the original photo, preserving the main structure, realistic texture, natural light and shadows, and the original color atmosphere, only through subtle high-end photographic color grading to create the feeling of an art magazine, independent publication, or exhibition photography. To fit the frame, you can naturally extend the environmental background, but do not stretch, distort, or change the subject. The lower part extracts the most recognizable subject, outline, pose, and narrative relationship from the photo, reconstructing them into a relaxed and clumsy Korean-style graphic editorial illustration. Retain the overall layout, object relationships, and core actions of the original image, but remove realistic light and shadow, perspective, and material details, simplifying the subject into rounded, concise, slightly exaggerated geometric shapes, paired with rough, jittery, partially broken hand-drawn black outlines and solid color fills, keeping the image instantly recognizable and not overly realistic. The composition maintains a clear visual center, with other elements as auxiliary embellishments, creating a playful rhythm through size differences, misalignment, occlusion, subtle cropping, and incomplete symmetry. The background uses large areas of bright solid colors and negative space to support the subject, retaining left and right or partially complete color blocks as buffer spaces to avoid cluttered scenes, making the image more like a well-designed children's picture book or independent editorial illustration, rather than a cartoonized photo. The color palette extracts the most vivid and recognizable colors from the photo above, transforming them into high-chroma, high-purity, limited-quantity flat color blocks; you can use bright blue, red, yellow, green, white, and other color relationships with childlike tension, but without mechanically applying a fixed color scheme. The background forms a sharp regional contrast with the subject, avoiding gradients, shadows, muddy grays, complex mixtures, and plastic textures. The text follows a clumsy but design-conscious editorial logic. Extract a short English title from the photo's main theme, action, emotion, or story, paired with a few short phrases, objects, place names, numbers, or playful notes. The main title may use a slightly hand-written style, uneven thickness, or tilted fonts, while the small text remains clear and restrained; text can be aligned along the subject's outline, color block edges, negative space areas, or frame axes, and can also feature slight rotation, misalignment, splitting, and interleaving, making the text feel like part of the illustration itself rather than typography added later. Overall, it presents a visual atmosphere of real photography × clumsy graphic illustration × relaxed and happy editorial design—bright, childlike, friendly, and playful.