Photo to fairytale print split poster

Create a vertical "upper-lower split" style poster, overall like a disassembled picture book page: the upper part is a real photo, and the lower part is a fairytale print-style image translation of the same subject. The composition is simple, clear, narrative, with the temperament of a picture book and an art publication.

Upper Part:
Display the original photo uploaded by the user. Retain the main characters, pets, animals, or the most important interaction between characters and animals in the photo. The subject must be clearly identifiable, trying to preserve its identity, movement, posture, expression, clothing features, fur color, outer contour, and emotional state. The upper part maintains a sense of real photography and does not undergo painterly processing. Environments and buildings exist only as auxiliary spatial clues and do not occupy the main position.

Lower Part:
Extract the most recognizable subjects, outlines, postures, and narrative relationships from the upper photo, and reconstruct them into fairytale print-style hand-drawn images. Do not mechanically trace details, but instead compress the subject into one or two clear large blocks, using blunt silhouettes, slightly exaggerated proportions, and a few key edges to retain the original object's identity, action, function, and emotion. The image refines a large area of low-brightness or high-contrast structural field from the original content, serving as a container, path, frame, or density layer to wrap the subject; the background grows out of the original space and meaning like a shell where the story takes place, forming a structural narrative of blocking, cropping, swallowing, and partial exposure. The overall style adopts flat narrative perspective and picture book page-style hierarchy, utilizing overhead compression, lateral movement, front framing, path guidance, scale jumping, or edge cropping to organize reading.

Color:
Extracted from the uploaded original image, maintaining a clear three-layer relationship: large areas of dark structural colors are responsible for weight and boundaries, appropriate amounts of light colors or negative space are responsible for breathing, and small areas of high-saturation emotional colors are responsible for the image reading path and story signals. The most important information is concentrated only in a few bright color blocks on the face, posture, path, utensil function points, environment markers, or narrative focus, and is always suppressed by dark structures or light negative shapes, making the image vivid but not balanced. The hue can be adjusted according to the theme's mood, but the area ratio and brightness order remain stable.

Lines:
Appear only at functions, paths, boundaries, textures, and identification points, maintaining sparse, hand-drawn, slightly inaccurate thin lines. All color blocks maintain flat processing, while retaining dry brush, grain, white space (feibai), paper texture, spray dots, and slight overprint misalignment, presenting a handcrafted texture completed by screen printing and pastels, avoiding realistic lighting and shadow, complex volumes, smooth vector edges, 3D rendering, and plastic textures.

Overall:
The composition is simple, low-detail, high-recognition, with a dark field wrapping bright signals, combining cute narrative with a heavy print feel. If the image contains text, the text can be treated as small logos, object panels, or edge annotations, with a streamlined quantity that subordinates to the graphic structure; the font is round and blunt, with slightly uneven thickness and low density, carrying a natural handwritten feel, making it look like a part of the image rather than an explanation pasted on later.

Overall Presentation:
A visual relationship of "upper part real original image + lower part fairytale picture book, handcrafted print, editorial illustration, and art publication temperament combination," forming a very clear "before and after translation of the same subject" effect, with unified, vivid, and transferable visuals.