Oriental traditional color modern editorial design poster

[Subject]: { }
[Chinese Title]: { }
[English Title]: { }
[Color 1]: {Color Name}｜{HEX}
[Color 2]: {Color Name}｜{HEX}
[Color 3]: {Color Name}｜{HEX}
[Color 4]: {Color Name}｜{HEX}
[Cultural Pattern]: { }
[Aspect Ratio]: 9:16

Generate a color research poster in the style of Oriental Traditional Color × Modern Editorial Design.

First, conduct a color review: using the filled HEX as the sole benchmark, accurately convert to corresponding RGB, and ensure that the color names, HEX, and RGB in the image correspond one-to-one, prohibiting numerical mismatches or self-modifying colors. By default, only show RGB + HEX, do not use CMYK. Core large color blocks should strive to maintain the pure flat color of the specified HEX, avoiding obvious color shifts caused by strong gradients, lighting, filters, or textures.

Use 3–4 large color gamuts of unequal proportions for asymmetric modular composition, avoiding an even four-grid layout. Make color the primary visual subject and include a prominent spectrum band approximately 4–6% of the image height, using the locked primary colors directly.

Use clear, slightly thick fonts with ancient book or Songti temperament for Chinese titles and color names; use modern Serif / Sans Serif for English and numbers. Text must be complete, sharp, and easy to read.

Extract only partial structures from the [Cultural Pattern], enlarge them, and hide them with low contrast within the color gamuts; they can span across different color blocks and be partially obscured. Do not directly draw complete artifacts or ancient paintings.

Overall maintain large amounts of white space, clear hierarchy, and a high-end sense of color research. Avoid all colors being too light, cluttering of Guochao materials, a PPT feel, meaningless English, incorrect Chinese characters, HEX/RGB mismatches, numbering, logos, and four-pointed stars.

Check all HEX and RGB again before generating, and confirm they are correct before producing the image.