Oriental minimalist brush line art

Please strictly use the uploaded reference image as the sole subject reference source.

First, analyze and extract the most recognizable visual elements from the reference image, including:

Subject identity and type
Facial or head features
Head contours such as hairstyle, ears, horns, or hats
Clothing, accessories, props
Body posture and action direction
The most recognizable outer silhouette
The relationship between subjects
Representative colors from the original image
Iconic details that can embody the subject's identity

Do not mechanically trace the reference image, and do not pursue photo-realistic duplication.

On the premise of ensuring the subject "is still recognizable at a glance," perform high-level summarization, abstraction, and Oriental artistic recreation of the reference image.

Translate the subject into modern abstract hand-drawn line art with a strong Chinese Oriental aesthetic temperament.

Overall, adopt extremely minimalist brush lines and modern line drawing language, re-summarizing the subject structure through a small number of expressive curves.

The lines have a distinct hand-drawn brush feel, with natural variations in thickness, featuring slight "flying white" (feibai), changes in ink dryness and wetness, and manual brushstrokes.

Use a large number of slender, smooth, and flowing artistic curves.

Some lines can naturally extend from the subject structure, forming long curves similar to calligraphy brushstrokes, clothing ribbons, water flow, wind, or clouds, creating a clear sense of speed, direction, and Oriental rhythm in the picture.

Do not draw all structures completely.

Allow the subject to be expressed through broken lines, white space, a few strokes of summarization, partial missing pieces, and visual association.

Focus on retaining the most recognizable silhouettes, postures, and iconic elements, and boldly discard the rest of the details.

Control colors to a minimal amount.

Use black lines as the primary visual skeleton, and according to the representative colors of the reference image itself, extract 1–2 accent colors for artistic use.

Prioritize allowing the use of:
Black, vermilion, and dark green.
Color only serves as local finishing touches and is not used for large-area filling.

Some iconic clothing, accessories, props, or action trajectories can be emphasized with red or green long lines.

Composition is complete but extremely restrained.

The subject is located in the central visual area of the picture; conventional proportions can be appropriately broken, with elongation and curvaceous treatment applied to the body, clothing, hair, tail, props, or action trajectories.

Make the subject appear as if naturally formed by a few flowing brush lines, rather than outlined by closed contours.

The overall style possesses a fused visual language of:
Oriental abstract art,
Modern minimalism,
Chinese calligraphy lines,
Ink sketching,
Traditional mythological illustration,
Modern editorial illustration.

Add a small traditional vermilion seal stamp to the picture.
The seal text should be refined based on the identity, name, nickname, character traits, or picture theme of the reference image subject, limited to within 2–4 Chinese characters.
If there is no clear textual information, do not add specific names arbitrarily; brief Oriental imagery words matching the subject's temperament can be used.
The seal is only a visual embellishment, small in size, and does not compete with the subject.
Background remains extremely minimalist.
Use delicate off-white Xuan paper as the background color, with very slight, natural, and authentic paper fiber texture.
Do not have complex scenes, buildings, scenery, or decorative backgrounds.
Large areas of white space must be reserved around the picture, especially the periphery of the subject should not be crowded with elements.

Utilize white space and a few curves to form the "virtual-real relationship" and sense of breathing in Oriental painting.

The final effect should be like:

"Extracting the soul and silhouette from a real reference image, then redrawing it with a few flowing Chinese brush long lines."

Emphasis:
Subject recognizability must be retained,
but it is not a photo copy;
Structure is highly summarized,
but cannot be so abstract as to be unrecognizable;
Lines are few and precise,
flowing but not messy;
Traditional Oriental temperament and modern sense of design exist simultaneously.

High-definition and delicate, art poster-level completion, clean, restrained, and sophisticated.

Forbidden:
Realistic photo effects,
3D rendering,
Cartoon/Chibi style,
Complex backgrounds,
Large amounts of color,
Large color blocks,
Dense details,
Mechanical outlining,
Closed vector silhouettes,
Neon effects,
Cyberpunk elements,
Redundant text,
English text,
Commercial logos,
Watermarks.

The focus of the picture is always:
"Subject recognizability from reference image + Minimalist brush lines + Flowing long curves + Oriental white space + Small amount of vermilion/dark green accents."