Oriental heavenly palace at the edge of the universe

Strictly generate an Oriental fantasy cinematic night scene, the overall worldview is "Oriental Heavenly Palace Ancient City suspended at the edge of the universe," the style must be unified, high-end, aesthetic, cold, dreamy, with a strong sense of epic and spatial depth.

The scene is: [Scene].

The main subject of the picture is a young Oriental woman in ancient costume, with a quiet, cold, gentle, and dignified temperament, possessing classical Oriental beauty, not flamboyant, not modern, not an influencer face. She has extremely long black hair, an exquisite bun, and wears delicate classical hairpins, flower decorations, and tassels. She wears a high-quality Hanfu long skirt, with main colors of moon white, ice blue, fog blue, and light purple blue, with layers of light gauze and silk superimposed, wide robes and large sleeves, the hem naturally trailing on the ground, the fabric is light, soft, translucent, and realistically draping, with extremely delicate embroidery, hidden patterns, and faint pearl luster. The character is presented from the back, two-thirds back, elegant side profile, or quiet side face, not looking directly at the camera, not posing, the character is a poetic subject in the environmental narrative, rather than an ordinary portrait photo.

The overall environment is a high-end Oriental palace aesthetic, the architecture includes dark blue tiles, flying eaves and upturned corners, vermilion corridors and pillars, wooden pavilions, terraces, water pavilions, stone bridges, winding corridors, railings, moon gates, courtyards, and water gardens. In the distance, layers of Oriental palaces stretch out, forming a grand ancient city night scene. Automatically add reasonable elements according to [Scene], such as cherry blossoms, peach blossoms, weeping willows, ancient pines, lotus flowers, lotus leaves, stone lamps, bonsai, strange stones, petals, water surfaces, and bridges, but the overall must be restrained, natural, and exquisite, do not overstack.

A huge near-Earth-like planet must be kept in the sky, not an ordinary moon, but a giant planet spanning a large area of the sky, with obvious atmospheric blue glow, cloud vortices, ocean textures, continental shadows, and nighttime city lights, with a strong sense of oppression, gigantism, dreaminess, and cinematic spectacle, as if the entire Oriental Heavenly Palace is built next to another planet.

The overall lighting and shadow are fixed as the midnight blue hour. The main light source comes from the giant planet and the cold blue night sky, forming a large area of ice blue, silver blue, and moon white ambient light; the buildings, lanterns, and palace lamps only dot a small amount of warm gold, amber gold, and soft warm yellow light sources, forming a high-end and restrained contrast between cold and warm. The whole follows 80% cold colors + 20% warm colors. The edges of the character's hair, the edges of the clothing, the eaves, the railings, and the water surface all have delicate and soft silver-blue rim light. The dark parts must be transparent with details and cannot be dead black; the bright parts must be soft and cannot be overexposed; the whole presents a high dynamic range but restrained cinematic exposure, not a cheap HDR effect.

The main color tone of the picture is midnight blue, deep sea blue, ultramarine, ice blue, silver blue, and blue-black, supplemented by moon white, fog blue, light purple, and gray-blue, with local accents of a small amount of champagne gold, amber gold, and warm yellow lights. Plant colors are biased towards cold green and gray-green, and flower colors are biased towards low-saturation gray-pink and light pink. The overall must be cold, quiet, transparent, aesthetic, restrained, and high-end.

The sky is a deep blue-black cosmic night sky, with fine and real star points, a small amount of Milky Way, star dust, and 1 to 3 meteors can be added, but the special effects must not be flooded, and the vast, silent, and ethereal atmosphere must be maintained.

The composition adopts a 16:9 cinematic horizontal screen, a 20mm to 35mm wide-angle lens feel, and the picture has a clear four-layer space of foreground, mid-ground, background, and extreme background. The foreground can use eaves, red pillars, moon gates, flower branches, window frames, railings, pine branches, rocks, and lanterns as framing; the mid-ground is the character and the main courtyard or corridor; the background is the palace city, bridges, water surfaces, and pavilions; the extreme background is the starry sky and the giant planet. The picture must have clear leading lines, such as stone steps, bridges, railings, long corridors, and waterways, leading the sight from the character to the palace city, the starry sky, and the giant planet. The overall composition is stable, quiet, grand, and poetic.

Materials must be real: real silk, gauze, wood, stone, tiles, plants, water surface, and aerial perspective; the water surface should be as quiet and open as possible, with delicate reflections, which can reflect palace lamps, pavilions, tree shadows, and planet glow. The overall effect is like a combination of high-budget Oriental fantasy movie live-action scenes and top-level movie CG environments, 8K details, cinematic lighting and shadow, strong spatial levels, and a sense of the boundary between dreams and reality.

Negative requirements: no daylight, no dusk, no modern buildings, no modern cities, no technological spaceships, no mechanical armor, no cyberpunk, no western castles, no churches, no steampunk, no neon lights, no anime flat illustrations, no childish 2D, no cheap ancient idol posters, no studio photography, no plastic texture, no excessive skin smoothing, no fluorescent colors, no stacking of special effects, no cluttered pictures, no deformed characters, no strange fingers, no architectural perspective errors, no small moon-style celestial bodies, no watermarks, no logos, no text.