Naive folk art side by side narrative poster

Please turn each photo I upload into an individual high-end design poster, no multi-photo collages, output each photo separately. Use a 7:6 aspect ratio with a side-by-side layout (not top-bottom), where the two areas are strictly 1:1 in width, each occupying 50% of the frame.

One half preserves the original photo, maintaining the subject's identity, structure, posture, authentic texture, natural light and shadow, and the original color atmosphere, with only slight high-end color grading to give it the texture of an art magazine, independent publication, or exhibition image. To fit the frame, the environment background can be naturally extended, but the subject must not be stretched, distorted, or altered.

The other half extracts the most recognizable subject, silhouette, posture, and narrative relationship from the photo, reconstructing it into a Naïve folk-inspired narrative illustration / Naïve folk-style textured flat narrative illustration. Do not fully trace the photo; instead, actively subtract details, retelling the original scene with silhouettes, primitive forms, a few color blocks, and iconographic elements, keeping only the visual clues that best maintain the subject's identity and story relationship, making the original object instantly recognizable while having a sense of clumsiness, humor, and life.

The subject's modeling centers on simplified silhouettes and large primitive forms. People, animals, buildings, plants, objects, or vehicles can have their proportions moderately compressed, structures summarized, and features exaggerated, without pursuing strict perspective and anatomy. The space uses flattened perspective, establishing narrative through height, overlapping, size, and color block relationships; auxiliary objects are distributed rhythmically like visual symbols, and complex backgrounds are actively deleted, letting a core action, relationship, or scene carry the main story.

The image uses grainy textures like crayons, oil pastels, thick pencils, and dry materials. Black or dark areas should not be filled uniformly but should retain traces of wiping, friction, layering, breakage, and the paper showing through; silhouettes have slight manual errors and a sense of clumsiness, and edges do not need to be absolutely neat. The overall look remains flat, without using realistic light and shadow, metallic materials, complex volumes, or smooth digital vectors.

The color scheme is reorganized by selecting the most vivid, memorable colors that best represent the subject's spirit from the photo, forming a concise and bright limited color palette. Overall, increase the cleanliness and vitality of colors, using warm white paper and dark silhouettes as a stable base, then naturally extracting a few spot-color accents like blue, red, yellow, green, pink, or orange from the original image for clothing, plants, food, architectural parts, or narrative focuses. Colors are distinct but not over-saturated, forming rhythm through large-area light-dark contrast and small-area pop colors, avoiding gray, muddy, Morandi-style, fluorescent colors, and cheap candy-like effects.

Composition emphasizes narrative center, visual weight, positive/negative shapes, size rhythm, and white space relationships. The subject does not need to be centered; it can be offset, partially cropped, or form a loose triangular relationship with auxiliary elements; leave enough blank space so that the rough silhouettes and small colored elements have room to breathe. From a distance, the structure is clear; up close, manual grains and slightly naive stylistic fun are visible, rather than filling all elements evenly.

A small amount of text is involved, without presetting fixed titles, locations, numbers, or languages, freely extracting a small amount of meaningful text based on the photo's subject, action, life state, emotion, or cultural context. Use lightweight, simple folk-art editorial fonts with slight manual printing deviations and irregular character spacing, which can be paired with a small amount of handwriting, making the text naturally exist like signs, menus, notes, or publication annotations in the scene. Text can be arranged staggered along the subject, desktop, wall, white space, or scene structure, participating in the narrative together with graphics, but do not form a regular commercial title bar.

The overall presentation is a visual temperament composed of naïve silhouettes, flat space, crayon grains, limited colors, folk art symbols, and editorial narrative: intimate, humorous, simple, smart, with a sense of life, while maintaining mature composition and design awareness. Avoid children's cartoons, cute stickers, realistic illustrations, smooth vectors, complex perspective, fine facial features, excessive details, 3D rendering, e-commerce illustration style, and templated effects.
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We changed it to a side-by-side layout, not top-bottom. Ratio 7:6.