Modern oriental paper fiber cultural poster prompt

[Theme / Activity Name] {Fill in, e.g.: Lantern Handcrafting / Fan Making Gathering / Incense Culture / Woodblock Printing}
[Main Title] {Fill in}
[Core Main Shape] {Fill in one strongest single large shape, e.g.: Huge Paper Circle / Fan-shaped Unfold / Agarwood Color Block / Ink Black Layout}
[Main Color Gamut] {Fill in 2–4 colors, e.g.: Warm Orange + Apricot Yellow + Warm White / Celadon Green + Warm White + Cinnabar Dot Color / Agarwood Brown + Rice White / Ink Black + Warm White + Vermilion}
[Micro Scene] {Fill in a real small cultural scene, e.g.: Pasting Paper Lanterns / Fan Mounting and Pasting / Sealing Incense and Blending Incense / Woodblock Carving and Printing}
[Cultural Elements] {Fill in a few necessary artifacts, e.g.: Bamboo Ribs, Thin Paper, Incense Burner, Printing Plate, Carving Knife, Fan Ribs, Paper Lanterns, etc.}
[Activity Information] {Date / Location / Type, optional}
[Aspect Ratio] 9:16 Vertical

Design a cultural event poster with modern Oriental editorial aesthetics, using "paper fiber + large color gamut + micro scene" as the core visual language, and emphasizing a refined, quiet, and restrained handmade paper texture. The image first establishes a strongest single main shape, with the [Core Main Shape] serving as the primary visual, such as a huge circle, fan shape, low horizontal platform, or heavy black layout, so that the audience is first attracted by a clear large shape from a distance, rather than seeing many fragmented elements first.

Use [Main Color Gamut] to establish 2–4 large paper-based color blocks with significantly different areas. Create front-back, overlapping, or slight structural relationships between the color blocks, but do not stack them too full. All color blocks must have the texture of real handmade paper, watercolor pulp, or mineral pigments, with visible natural long and short fibers, pulp particles, natural variations in shade, slight indentations, and irregular torn paper edges. Maintain an overall matte, clean, and complete look, without dirt, yellow spots, strong grain, or cheap vintage filters. Colors are low-saturation but with full concentration, having clear recognizability from a distance and material details up close.

Add a very small-scale but content-complete [Micro Scene] between the large color gamuts. The characters and props overall occupy about 3%–5% of the frame. Characters must be doing a real thing, such as tying lanterns, pasting paper, making fans, covering paper, blending incense, lighting incense, carving woodblocks, inking, pressing, etc., rather than posing. Tell a quiet and clear small story through actions, tools, and spatial relationships. Only keep a few truly necessary items in the [Cultural Elements] to serve the narrative, without commercial displays or piling up traditional cultural decorations.

A very small amount of finishing touch colors can be added, such as cinnabar red, warm yellow lamplight, or small marks, but the area is usually controlled at 1%–3% and must have a real relationship with the content, such as seals, marks, lamplight, finished small works, etc., rather than random decoration. The overall visual should be "the large shape is strong from a distance, and only upon closer inspection are characters, objects, and paper fiber details discovered," possessing both aesthetic completeness and a sense of micro-narrative.

The typography adopts modern Oriental cultural institution, exhibition event, or editorial design language. The main title [Main Title] uses refined Chinese Songti, Mingti, or modern fonts with a sense of publication. The font size remains medium to small, not allowing the text to overwhelm the large color gamut. Auxiliary English, dates, locations, and explanatory information use smaller font sizes to form a clear hierarchy and maintain appropriate white space. All text must have real meaning; do not use meaningless placeholders like RANDOM, DESIGN, ART, STUDIO, etc.

The overall style should reflect the combination of paper collage, watercolor texture, micro-handcrafted scenes, and Oriental editorial layout, with a refined, calm, restrained, and breathable temperament. Avoid book cover visual clichés, traditional ancient-style illustrations, huge titles, full-screen ancient buildings, piling up of elements, PPT-style layout, commercial advertising feel, dirty old paper, 3D CGI, glass materials, plastic feel, neon colors, Logos, watermarks, numbering, and starburst decorations.