Minimalist 3d miniature architectural scaffolding poster

Please process each photo I upload into an independent high-end design poster, no multi-image stitching, output each photo individually. The overall composition is a 3:4 vertical format, with the top and bottom regions strictly 1:1 in height, each occupying 50% of the frame.

The upper half retains the original photo, maintaining the subject's identity, structure, posture, realistic texture, natural lighting, and original color atmosphere, only applying slight high-end color grading to give it the texture of an art magazine, independent publication, or exhibition image. To adapt to the frame, the environment background can be naturally extended, but the subject must not be stretched, distorted, or changed.

The lower half extracts the most recognizable outline, structure, posture, and narrative relationship of the photo's subject, reconstructing it into a set of 3D miniature architectural landscape style minimalist art images: presented in an isometric view / cut cube composition / perspective of an underwater continental shelf manner. The subject is like a dissected miniature 3D scene, with a correct isometric view and clear spatial hierarchy. The overall core semantics are based on a miniature lighthouse landscape, which can be flexibly translated according to the characteristics of the original subject, but must retain instantly recognizable identity and original narrative relationships.

The lower half is not a realistic illustration but an abstract expression that compresses the subject into simple geometric shapes, flat color blocks, fine lines, and white space; retaining moderately rich structural details on a minimalist basis, giving the image both an architectural diagrammatic feel and an art poster feel. The subject should look like a miniature 3D model placed on white textured paper, with a hand-drawn architectural illustration quality: fine lines, clear layers, restrained and accurate details, avoiding heavy realistic rendering.

Incorporate a clear scaffolding logic into the image, referring to the images you provided: the scaffolding is not random decoration but should serve as a rational system for wrapping, supporting, constructing, or intervening in the subject's structure, forming a spatial order together with the subject. The scaffolding can consist of dense horizontal and vertical components with local connection nodes, unfolding around the subject's outer contour, key transitions, or 3D cross-sections, presenting a feeling of "being constructed, repaired, surveyed, or displayed"; the view must be accurate, with clear perspective relationships, not drawn as a floating collage.

The composition maintains the subject centered, the image balanced, and the order restrained, enhancing the sense of space through a small number of horizontal lines, vertical composition lines, circular elements, or sectional boundaries. The background uses white textured paper or very light off-white paper, clean, quiet, without shadows or with only very weak structural layers, avoiding heavy projections. Retain large areas of white space to let the subject appear suspended in the layout of an exhibition catalog or architectural research poster.

The color scheme draws inspiration from the photo above but needs to be re-processed into a brighter, clearer, healing, and more vibrant high-end color palette, rather than directly copying the original color values. After retaining the hue clues of the original image, moderately brighten, purify, and remove gray tones to make the colors more vivid and light; soft and bright comprehensive color relationships such as clear blue, lake green, tender green, bright yellow, coral orange, peach pink, and light purple can be formed, establishing exquisite layers through warm-cold contrast and brightness rhythm. Avoid gray/dirty, dull, old-looking, Morandi-style, cheap candy colors, and plastic feel.

Minimal text can intervene, adding concise English titles, serial numbers, or years, forming a natural typographic relationship with the subject, scaffolding, or white space. The text should be exquisite, modern, and restrained, like editorial annotations in international design studios, architectural posters, art exhibition posters, and high-end brand visual systems, not overpowering the subject.

The overall style presents a high-end, modern, elegant, restrained, and artistic visual effect, merging miniature 3D landscapes, architectural cross-sections, isometric views, scaffolding systems, and minimalist poster layouts. Avoid excessive filters, cheap plastic textures, cartoonish feel, strong computer-generated feel, templated effects, incorrect views, and illogical decorative structures.