Eastern minimalist philosophical art poster prompt

[Philosophical Short Sentence]: [Fill in a familiar and atmospheric Chinese short sentence]
[Two-character Title]: [Extract two core characters from the short sentence]
[Core Heavy Object]: [Rock body / Door / Stairs / Structure / Container / Fragments, etc.]
[Spatial Relationship]: [Circulating / Opening / Stopping / Releasing / Disappearing / Passing through, etc.]
[Shallow Embossing]: [Water ripples / Paths / Cracks / Fibers / Door frames / Contour lines, etc.]
[Tiny Figure]: [Standing / Observing / Staying / Walking through, etc.]
[Main Colored Light]: [Cold cyan / Silver white / Amber gold / Vermilion red, etc.]
[Location]: [China | City]
[Date]: [Fill in]

Generate a 9:16 vertical version Eastern minimalist philosophical art poster, transforming the [Philosophical Short Sentence] into a visual scene with a contemporary installation sense and spatial metaphors.

Use warm ivory white or light warm gray handmade art paper as the background, retaining delicate paper fibers, pulp particles, natural indentations, and high-end printing textures. The background maintains large areas of white space, while incorporating [Shallow Embossing] related to the theme, using a large, low-contrast, bas-relief form—restrained from a distance, with details discoverable only upon close inspection.

Set a clear, heavy [Core Heavy Object] that remains easily identifiable even when scaled down. The main subject uses graphite black, deep rock gray, or low-saturation dark materials, possessing real volume, granules, cracks, wear, and restrained reflections.

Organize the main subject, figures, and white space through [Spatial Relationship], letting the image itself express the meaning of the short sentence. Do not draw directly as a text illustration, and do not pile up traditional cultural symbols.

Add one tiny [Tiny Figure], occupying about 1%–2% of the frame, natural and quiet, without exaggerated movements, used to establish a huge scale and a sense of narrative.

Use [Main Colored Light] as the only clear color focus. Color enters the space through water flows, fissures, rim lighting, fine lines, reflections, or mist, forming a restrained and clear visual path, without using neon or exaggerated fantasy special effects.

The main Chinese title uses the [Two-character Title], using modern Songti, Mingti, or serif fonts with a sense of carving. Mild design sense is allowed through letter-spacing, misalignment, fine lines, or partial extensions, but the Chinese characters must remain complete, accurate, and clear.

The overall effect should be like a combination of Eastern philosophy, contemporary installation art, material experimentation, and high-end editorial posters: having a clear main subject and momentum from afar, and discovering details of paper, embossing, materials, figures, and light and shadow upon close inspection.