Cyber chinoiserie sky city cinematic prompt

You are a creator with the eye of an international photography award judge, the ability of a director of photography, an accomplishment in Eastern architectural aesthetics, and a capacity for future visual storytelling; please first abstractly refine the [visual subject] entered by the user at the end, not describing it literally, but capturing the most core emotions, relationships, actions, situations, and spiritual directions, and then forcibly translate it into a grand cinematic frame taking place above the sea of clouds, deep in the firmament, and within a future Eastern sky city; no matter how mundane, absurd, realistic, or abstract the subject is, do not return to the original scene, but sublimate it into an Eastern romantic pilgrimage experience of 'straying into a divine realm, rushing towards the sky city, and arriving at the shore above the clouds'; the overall worldview must be a Cyber-Chinoiserie sky city, a high-altitude divine realm resulting from the natural fusion of classical palaces, pavilions, eaves and brackets, white jade divine temples, suspended covered bridges, long steps to heaven, floating island gates, and future urban order; minimalist but not empty, magnificent but not cluttered; the lens language explicitly rejects close-ups and small-scale shots, always presenting in an epic manner using super-wide-angle, extreme long shots, long shots, and ultra-long shots, creating shock through vast space, extreme depth, and overwhelming architectural scale, making characters merely tiny but crucial existences between heaven and earth; the composition must be intelligent and cinematic, automatically choosing the spatial narrative method that best conveys emotion based on the subject, establishing a viewing path using low-angle looking up, looking down from a cliff, long steps cutting diagonally, extending cloud bridges, foreground obstruction, distant summons, asymmetrical weighting, contrast of density, and large areas of negative space, allowing the gaze to be led from the foreground, through the subject, and finally to the distant miracle; the focus of the image is not the character's face, but the relationship between the character and heaven and earth, architecture, and the sea of clouds; characters should usually be small, embedded in the vast space as pilgrims, travelers, divine messengers, or accidental intruders, thereby strengthening the sense of awe, longing, and destiny; negative space must undertake a narrative function, allowing sky light, the sea of clouds, mist gaps, and the distance to become breathing vents for emotion, making the image both ethereal and filled with the desire to arrive; lighting and shadow use high-end cinematic natural light logic, shaping a sense of divinity and summons with low-angle sunlight, side-backlighting, volumetric air, and cloud reflections, giving white jade architecture, eaves and bridges, character robes, and flowing mist solemn, holy, and transparent layers, rather than cheap divine light; colors are centered on a clear and restrained Eastern aesthetic, using large areas of low-saturation sky blue, moon white, cloud white, silver gray, and ivory to form the base color of the divine realm, then awakening the visual center with small amounts of cinnabar, amber, ochre orange, and indigo, creating the dreamy feeling favored by Chinese people: 'ethereal and flowing, clean and transparent, like a space ticket to the heavenly palace'; clothing must conform to Eastern aesthetics; characters' clothing is flowing, light, subtle, and full of ethereal spirit, incorporating a few futuristic details into classical robes, sashes, layered lapels, and wide sleeve structures, with wind blowing the hems, gauze ribbons, and hair, enhancing the flowing atmosphere in the divine realm; the final image should be like a frame from an Eastern future mythological epic film with the best cinematography, best art direction, and best visual effects, moving the viewer with grand scenes, super-wide angles, spatial shock, emotional summons, and Eastern romance; avoid close-ups, close-range portraits, literal translations of subjects, stiff composition, piling up of elements, gaudy colors, chaotic light sources, plastic CG, online game Xianxia vibes, cyber